Monday, April 13, 2015

Rod Rogers: American


Nearly four years ago, in this post, I offered up both sides of a Film City 45 written by Clarence Boness, both songs featuring patriotic themes. Today, two equally patriotic numbers, from a subsequent Film City release, again featuring Rod Rogers and the Film City Orchestra, although the label in this case also credits "and chorus". If anyone out there can hear the chorus, please let me know, as they don't appear to exist. But then again, neither does the orchestra. Mr. Boness actually co wrote this one with Art-Cain, and Rod declined to take a writing credit, although he did so on the flip side. This is a bouncy, marching song, complete with faux glockenspiel solo!

Download: Rod Rogers and the Film City Orchestra and Chorus: I Am An American
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On the flip side is Mr. Boness' offering up in that most stereotypical subjects of song-poems, and indeed, in the world of popular song for the last 50 years, the NORAD system. While this can't compete with such classics as "Crystal Blue NORAD", "The Ballad of John and NORAD",  "NORAD Got to Be Free" or "I Think I Love NORAD", it's surely still in the top ten NORAD hits of the '60's and '70's. And I think that maybe last note is among the highest I've ever heard Rod Rogers/Rodd Keith sing.


Download: Rod Rogers and the Film City Orchestra and Chorus: NORAD
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Saturday, April 04, 2015

Holy Week Halmarkary


If it's not already a tradition to offer up a Halmark 45 on or near Easter, 1.) it should be, and 2.) it will be soon. What other label so often offered up flowery language devoted to all things Jesus? 

First up on today's record is some typically stultifying Halmark mustiness, titled "Soldiers of Christ


Variations on a theme follow, even staying (as would a classical Mass) in the same key as the first song. I'm willing to bet that the title was supposed to be "My Prayer Oh Lord", but I've saved the track here under the title listed on the label, which is "My Prayer Old Lord". I hope the Lord isn't offended in being addressed so familiarly and casually. 


On to more secular matters, although STILL in the same key. The first line of "My Nancy" is the exceptionally un-promising and non-musical phrase: 

"There's an angel in Rose Hill
Who is so sincere...."

Having grown up near Chicago, and having lived in the area my whole life, the image I came up with was the famous Rosehill Cemetery. However, it turns out that there is town called Rose Hill, Va., just 15 miles from the town where this particular song-poet lived. Even so, and even though the lyrics refer to Nancy in the present tense, there is some quality in the lyrics that suggest to me that she's may not be coming back. 


The most remarkable track here, however, has to be "Stolen Wedding Band". Not content to have a spoken section within the song, over the much used backing-track, in this case, the singer actually offers up 65 seconds of a Capella prose, spoken before the music even starts. As to the rest of this wronged woman ballad, I'll let you discover its charms for yourself, and wish you a happier Easter than this woman was experiencing.


Monday, March 30, 2015

A Hit for Sonny? Nada Chance!

Okay, enough is enough. I'm going to offer up the next few posts via an alternative hosting site until Divshare gets their act together. For now, the song titles are the links to the songs themselves. Left click to play the links, right click to download. I'll try to post a batch of songs in the next week to try and get caught up...



The Nada label seems to have been a vanity project run by Nellie Doud Allen, who most likely took her initials, added an "A" in the middle, and came up with a label name which translates from Spanish into the word "nothing", which I'm guessing is not actually the message she was trying to send. Note that her publishing company was "Nada Music" - equally uninspiring, no?

She even added a cute little poem about writing poetry, just below the label logo! For her material, she chose to send said poetry (at least in this case) to the Globe song-poem factory, where the singer best known as Sammy Marshall (here billed as Sonny Marcell), provided one of his patented upbeat, bouncy numbers. Ms. Allen wrote the lyric from a male point of view, and Sammy/Sonny sells it with great verve and élan. For 90 seconds.


Ms. Allen's offering for the flip side, "You Didn't Break My Heart", is right in Sammy/Sonny's other wheelhouse, the slow, romantic weeper. But there's a twist here, evident in the title - the wronged man in this case isn't having any of that heartbreak that his former beloved intended, now, is he?




Monday, March 16, 2015

On Hold.... again

Hi,

I wanted everyone out there to know that I have posts ready to go - one for last Tuesday and another for today or tomorrow - but Divshare has not been working for a week now. Yesterday, their home page finally came back up, but uploads still don't work.

I will make multiple posts in quick succession whenever Divshare comes back to life.

Bob

Monday, March 02, 2015

Roll Out the Belly! We'll Have a Belly of Fun!


Every now and then, a song poem song title comes along that is so good, or so ridiculous, or so inexplicable, that I have to share it, even if the record itself isn't all that good.

All that said, I think there are enough things about today's record to make it worth a listen or two, anyway. But how could it possibly approach the promises of a title like "Beer Belly Polka".

I do enjoy the stretched-beyond-reason rhyme of "Iota" with "Polka", and the fact that no one on Earth would hear this track and say that it was a polka record. And of course, Gene Marshall sells it like it's the next "American Pie".

Everyone Polka!

Download: Gene Marshall: Beer Belly Polka
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The flip side is called "Darling", and contains lyrics just as imaginative as that title. The main attractions here are the way the staff writers at Preview strung those not-particularly-musical lyrics into a haphazard melody, and the way that Gene Marshall - no doubt sight reading - still managed to make it sound like those notes were supposed to be strung together, and that he knew where the melody was going.

Download: Gene Marshall: Darling
Play: 3


Monday, February 23, 2015

Samples from Cara

First, I wanted to point out that I got some more historical information relevant to my post from two weeks ago, regarding "The Congo Song". You can read about it here. And now, on with the countdown: 


Half or more of the US is under the deep freeze, and then there are those who struggling through ice storms. If you're feeling cold this evening, here's the perfect recipe for getting warmed up - Cara Stewart, under the guise of "Sue Saylor", with a couple of songs co-written by Della Anderson and Earl Luton (the latter of whom at some point started his own "Lutone" label). This one's called "Sample Kisses":

Download: Sue Saylor - Sample Kisses
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And if you need a little more thawing out, here's the flip side, "Wondering Why". The label says that Spin Records are tops. I say that Cara is tops

Download: Sue Saylor - Wondering Why
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Tuesday, February 17, 2015

The Simple Solution That Fixes Everything!


What it is, Bucko?? You say your life's in the dumps, and nothing's gone right in two years? Well, man about town Dick Kent has the solution for you! It doesn't even matter what the problem is: lost job, divorce, terrorism, hemorrhoids, dishpan hands, an oil leak, Fox News, carotid artery issues, running out of Pampers...you name it!!!

The solution is: JUST WALK THROUGH (sorry: THRU) SOME DANG DAISIES!!!!

And it only takes 99 seconds, too!

Sing it, Dick!!!

Download: Dick Kent - Walkin' Through the Daisies
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This record may be the only Dick Kent/Rodd Keith pairing where I actually prefer the Dick Kent side. On the flip side, an unbearably unctuous Rodd sings a fairly turgid weeper about a son who used to be little, isn't any more, and is far, far away. Yes, for those who collect such things, it's a Vietnam song-poem!

Download: Rodd Keith - All I Have Now is a Picture On the Wall
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Monday, February 09, 2015

The Caveman and the Congolese


I surely wish I had more records on the Caveman label, or indeed, that there were more records released on the label to be had. Every one of the ones I've heard has been memorable, and today's record is no exception.

This record also features a singer who went by the name of Rod Barton, and a previous posting of a Barton record resulted in one of the high points of my song-poem collecting life - a couple of phone conversations with the man who sang under that name. He looked me up, based on information on this site, and cold-called me. It was great to talk with someone who was there, and his infectious enthusiasm for those days was great, too.

He quite strongly insisted that no one was being taken or scammed on the records he sang on, calling them demos - and a glance at the records he was one doesn't discount that as a possibility: today's record and the other Barton discs in my collection may well be more of the vanity variety than true song-poems. At this distance, it's hard to say.

Barton's song here, sung with a group dubbed "The Congolese", is called "The Congo Song". When I was a kid, the bedroom my brother and I shared featured an enormous piece of wallpaper on one wall which featured an equally immense map of the Earth. It had been put in by the previous owners, from whom our parents bought the home in 1961, so it featured the Belgian Congo.

Somewhere in the back of my mind I remember some of what I learned of the changes that took place in Africa in the 1960's, including the many different places where European colonists were thrown out, including the Congo, but my specific knowledge of the conflicts in this particular nation is sparse, indeed. And a glance at Wikipedia shows that it will take more time than I have now to correct that gap in my knowledge. But it does look like this record probably was written around the time of those conflicts - the late 1950's or just into 1960, most likely (the reference to keeping out commies helps here, too).

All that said, the lyrical conceit taken here is wholly obnoxious and offensive from a 2015 perspective, what with the mock African accent and the references to African sounding names (although perhaps the lyric is referencing actual people - I dunno). If you can get past that, which is a tall order, the track sounds pretty fun, with rockabilly piano, guitar and bass, although oddly, no drums. And Rod Barton was a greatly enjoyable singer, too.

Update, 2/23/15: A correspondent has let me know that the names in the song are real people! Charles Edward Rogers writes:

The names are indeed of real people: Patrice Lumumba, who led the Congo independence movement and was the free country's first president; Mobuto Sese Seko, who took control from Lumumba (accused of being a communist) in a coup; Moise Tshombe, who led the state of Katanga in secession from the independent Congo; and Albert Kalonji, who led another secession in the state of South Kasai.

Here's the song!

Download: Rod Barton and the Congolese - The Congo Song
Play:

The flip side is by Jeff Samson and the Western Band and is titled "Weary River". Like "The Congo Song", it was written by Ned Williams, and both sides slide up into the correct speed for some reason, like they were mastered off of another disc that had to be brought up to speed.

This is a pretty standard issue country number, with some nice, closely miked violin, and sweet piano on the bridge.

Download: Jeff Samson and the Western Band - Weary River
Play:


Thursday, February 05, 2015

Blamin' It All on the Nights on Hallmark


Another round of problems with Divshare has resulted in no posts for nearly two weeks. I'll try to get caught up again with a post by Sunday or Monday, but in the meantime, I'm left on a day when I have no time to spend going on about the wonders of Bob Storm (in a less unctuous mood here) or the Halmark (spelled "Hallmark" here) label. I'll just leave it to you to enjoy two of the more ubiquitous backing tracks in the Halmark stable. First, on the song "Night of Love":

Download: Bob Storm - Night of Love
Play:


And then on a song titled "Nobody Told Me", one which features eighth grade level lyrics, and one which is not likely to make anyone forget the superior John Lennon single of the same title:

Download: Bob Storm - Nobody Told Me
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Saturday, January 24, 2015

She's a Bad Mother...

First, I want to say something off topic for a moment: 

What a sad day.

It's hard to remember for sure this many years later, but I think Ernie Banks was my first celebrity hero. And while that would have been because he was a great ballplayer at first, other things continued to make him someone I found amazing, and worthy of the word hero: specifically, his positivity - about everything, apparently - was a real inspiration.
Over the years, I've heard multiple people who knew him say that his public persona of always being upbeat and having a positive outlook wasn't an act - it was really who he was. I've always found that something to aspire to. Seeing him in an appearance at Wrigley or at some other event covered on TV always brightened my day. I'll really miss him.


Now that I've brought the mood down, let's raise it with something ridiculous. I don't know that there's a lot to blather on about regarding this record, titled "Save Your Tears Mom". First, it's Norm, and I love Norm. He's not always good (see the flip side), but there's a far better than average chance of hearing something I'll want to hear again if his name is on the label

And when the first words out of his mouth are:

Save your tears, mom
It was you who taught me to steal
You said it would be alright, 
Didn't you? 

...you can be certain that you're in for a fun two minutes and 48 seconds. And it does not disappoint.


Download: Norm Burns and the Five Stars - Save Your Tears Mom
Play:

Of the flip side, "Dawn", I can think of nothing worthwhile to say whatsoever. Even Lew Tobin didn't want to claim a co-writer credit on this one.

Download: Norm Burns and the Five Stars - Dawn
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Saturday, January 17, 2015

Tony Rogers Does His Homework


By now, almost everyone who planned on being in school for the winter semester has returned to school. So what better time for a light-hearted complaint about Homework?

As I wrote a few months ago, the Star-Crest label fascinates me. Although their products seem to have started appearing in the early 1960's (the only confirmed date for the label found in the AS/PMA website is 1961), virtually everything I've heard from the good folks at Star-Crest sounds like it was intended for release in the 1930's.

That causes even more of a disconnect than usual with label stalwart Tony Rogers' rendition of "Homework". The lyrics present a typical young man, perhaps in his late teens, complaining of how he won't be showing up on time for his date (where they'll "neck and talk"), because of all the work he's been assigned. When it turns out that he's too late to even go to her door at all (although he also stopped to "take a bath"), he decides to read a good book, only to realize he can't even do that, because, you guessed it, there's more homework to be done.

That actually would not a be a bad bit of storytelling for an early '60's novelty pop or teen idol rock and roll record, come to think of it. Gary "U.S." Bonds could have made that work.

Unfortunately, lyricist William E. Cobb sent his lyrics to Star-Crest, and not Sterling or Lee Hudson, and we end up with a backing, and vocal delivery, that sound straight out of 1933. I wish I could have been there when Mr. Cobb heard the results of the work he'd paid for. Still, for all it's ridiculousness, I pretty much love this record.

Download: Tony Rogers with Orchestra - Homework
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On the flip side, we hear Mary Marcuso's lament of having been tricked by an untrue lover, one who has now gone on to break yet another lover's heart. The setting again sounds like it was created in the mid-'30's (well, minus the guitar line, anyway) but at least this time, the lyrics and feel are appropriate to that time.

It's worth noting that this side of the record is a mere 84 seconds long: last week, I speculated that the total time of that week's 45 (3 minutes, 10 seconds) might be a record. Well, today's two-sider contains music that totals exactly... 3 minutes, 9 seconds!!!


Download: Tony Rogers with Orchestra - What a Fool I Was
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Friday, January 09, 2015

Starting the Year Right!



Happy New Year!!!

And what better way to kick off the new year than with some of the typical weirdness I've come to expect when I see the artist credit of "Phil Celia" on the old time Tin Pan Alley label.

The song title is enough to draw one in "A Fat Man in a Compact Car", and the song doesn't disappoint. Set to what at first sounds like a march beat, it's actually (to my ears) styled as a Lou Monte styled Italian novelty, although largely minus the ethnic accent. The words do the title justice, too, with the following couplet being perhaps the high point:

"If You're Obese
You Need Some Grease..."

The ending is a spectacular failure - clearly, Phil and the band have two different ideas of how the repetition of the final lines was supposed to work.

Download: Phil Celia - A Fat Man in a Compact Car
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On the flip side, we find one of the shortest song-poems I've ever heard or seen on a 45 RPM single (I think the magnificent Joe Stantan performance of "A Has-Been" may be shorter, but that was on an EP).

This song, on the other hand, is the only thing on this side of the record, and it runs 75 seconds (the entire 45, including both songs, runs three minutes, ten seconds - I bet that's a record!).

We've got the same 6/8 rhythm here, only in a higher key, and definitely a march beat in this case. The lyricist actually squeezed in quite a bit of information (and a moment of casual racism) into his brief creation. And the last three seconds are worth the price of admission!

Play: