Showing posts with label B-Atlas. Show all posts
Showing posts with label B-Atlas. Show all posts

Sunday, June 30, 2024

B-Atlas Redux

First, I want to thank everyone who has been commenting lately. There've been a few folks who have also gone back and listened to things I posted a while ago and sent a bunch of comments back to back. I am much appreciative.  

Second, I will point out that I have adjusted the link (at right) to Sammy Reed's site, "Music from the World of the Strange and the Bizarre", which can now be found here

And now it's time for us all to Be Atlas. 

~~

Nearly ten years ago, I shared a Rodd Keith Record (released under his frequent aka of Rod Rogers) on the B-Atlas label. One commenter related how a search of Billboard Magazine indicated that the label was somehow related to the Jody label, which you can read about here, and which seems to have been a crazy set-up, even by song-poem and vanity standards. But note that they shared the same address. And our friends at Roaratorio Records shared that there was another B-Atlas record in existence, with both of its songs also written by the same song-poet as the record I shared, Anne De Grace, and positing that B-Atlas may have been a vanity set up for Ms. De Grace. I'm not sure how that tracks with them being a subsidiary of the bizarre Jody set up, but there are plenty of things in the song-poem world that I don't understand, and given that she did write all four known songs on the label, that supposition is probably correct. 

I now own a copy of that second B-Atlas release (or perhaps it was their first release, as the two records are numbered A-2000 and A-900). And here it is: 


Yes, that's right, we are still having Rodd Keith in his Film City, Chamberlin Orchestra, Rod Rogers persona. I do not have a ton of stuff to say about either of these songs, both of which I find fairly turgid. The better of the two, to my ears, is certainly "L'amour C'est Si Doux My Darling", if for no other reason than I love that vibraphone sound. The lyrics are nothing to write home about. In fact, the opening four lines are fairly awful, in a laugh-out-loud sort of way: 

Someone says there's no such thing as love

Someone says there's some things in love

Someone says they've never been in love.

Someone says they've always been in love. 

Cole Porter it ain't. Then it's into the main part of the song, the vibraphone retreats into the background, and Rodd (or Rod) turns on the smarm. 

Download: Rod Rogers - L'Amour C'est Si Doux My Darling

Play:

The flip side is "There's Still Room in My Heart", and the best thing I can say about it is probably that it isn't as long as "L'Amour C'est Si Doux My Darling"

Download: Rod Rogers - There's Still Room In My Heart

Play:



Wednesday, October 29, 2014

B-Atlas



While working for the Film City label, Rodd Keith found his work released on myriad secondary labels - vanity labels, smaller song-poem labels related to Film City, and others whose providence I can barely guess at. Typically, he shows up as Rod Rogers, but sometimes has a different name. Most of those tiny labels have names which have something to do with the label's primary songwriter (such as Kondas and Lutone), have a catchy name (Action and Planet Earth, for example) or at least interesting and perhaps thought provoking (Inner-Glo is a favorite of mine). 

But what to make of this label, which I've never seen referred to anywhere, and can't find anything about, and which carries the clunky name "B-Atlas". Were they hoping someone would misread it and think it said "Beatles"? I admit that seems unlikely, but it's the best I can come up with. 

Today's Rod Rogers songs are typical of the Rod Rogers, Film City sound. Neither one stands out to my ears - I'm sharing these at least as much because this label seems to be completely unknown to the song-poem world - but as I'm a fan of his mechanical, Chamberlin driven tracks from that era and label, I find these very enjoyable. 

First up is "My Honey Bee", a mid-tempo, yet peppy and danceable number. I do notice that there are some lines which do not scan well with the music Rod(d) chose, and he clearly finds those lines a challenge to sing effectively.  

Download: Rod Rogers - My Honey Bee
Play:

From the same general sound style comes the flip side, the awkwardly titled "Lou, I'm in Love With You". Note that a typo on the label leads to an indication that the song is only 75 seconds long - 40 seconds under its actual length.

Download: Rod Rogers - Lou, I'm in Love With You
Play: