A look at some of the more remarkable items found during 40 years of collecting all manner of recordings. For information on saving these files, see the top box on the right.
Showing posts with label Children's Records. Show all posts
Showing posts with label Children's Records. Show all posts
Continuing in my quest to publicize the works of the late Toby Deane, here is a recording of a song called "Choo'n Gum". I know almost nothing of this recording: it was included - very out of place, actually - on a budget (bootleg, most likely) CD of sports related songs that I purchased online. Why this song was on a CD of sports songs, I have no idea.
A search through the internet shows that the song was a minor hit for Teresa Brewer in 1950, and that Dean Martin also recorded it. But regarding this version... well, a search of this vast internet of ours results in only one hit for any reference to Toby Deane's rendition, which appears to have been a budget label knockoff (on the Caravan label), almost undoubtedly around the time of Teresa Brewer's hit.
I really love her voice, and this song is just ridiculous enough to hit me as "just right", too.
As promised in a previous post, today I'm writing a tribute to a woman whose name I'd never heard six months ago, but whose records I've been collecting ever since finding out who she was, back around August.
It was some time last year, I think, that I posted a recording of an obscure 78 that I've loved since childhood, a version of The Three Little Pigs, which I only had on a reel to reel tape. I have long been head over heels in love with the singer on that 78. When I asked the readers of this blog who the singer might be, I got no answers, so I turned to the readers of the WFMU blog.
I was quickly informed to seek out an online children's record expert, who just as quickly told me that the woman's name was Toby Deane. After further contact with Irwan Chusid of WFMU, I learned that she had died earlier this decade, and that she had made at least one other amazing record, "Alice in Christmas Wonderland", which I shared a few weeks ago.
This set me off searching for more Toby Deane records. I immediately found out that another of my childhood 78's, one greatly loved by my mother and sister, of the story of Peter Pan, also featured Toby Deane, and then I started buying records.
Just recently, after I wrote about her, a fellow named Thomas contacted me, and has sent me a photo of Toby Deane, with Benny Goodman, which appears above. Many thanks to him.
The following is the story in sound. While I think most of these are great, I will also admit that not all of these are good - in fact, I'd say a couple of them are downright bland, and one really grates on me. But I'll get to that, later. First, the record I grew up with, which I've always adored. Even if you've heard this before, when I've posted it, have a listen - I've found a 10" 78 of the record, which not only doesn't stop in the middle, but also is in MUCH better shape. Toby Deane, with Bob Mallit, sing about The Three Little Pigs:
Next, although I just posted it a few weeks ago, for the sake of completeness, here is Toby Deane and the Hummingbirds, with "Alice in Christmas Wonderland":
Here's a remarkable record, which I mentioned above. Victor Jory narrates the story of Peter Pan, while Toby Deane performs as both Peter and Wendy, using completely different voices for each. This is a fairly scratchy, much loved record:
For a change of pace, here she is, singing a major hit from the early 1950's, on one of those budget label EP 78's which contained the hits of the day, sung by people no one had heard of, in this case, a fairly complete reworking of Rosemary Clooney's Come On-a My House. I would assume that this was her "normal" singing voice:
Moving into a somewhat less-than-great category, here's a Toby Deane record from a little 7" picture disc from the Voco label (the same label which supplied the first three tracks posted above). "'Round and Round the Village" is no great shakes, but there remains something quite magical about her voice, which gives this record a sweetness and pull on me that most other vocalists would have been unable to provide with such material:
Another record which might be consider more than a little cloying is "Jingle Dingle", another 7" 78, in this case on both sides of the record. There are moments here, again, where Toby Deane's vocal magic lifts this above the mundane material. She's actually credited as "Toby Dean" on this record:
Moving another step down, the following track, "Songs of the Farm", is the B-Side of "The Three Little Pigs". It's really nothing special, except again, the voice draws me in here and there:
Next up is a track from an apparently much beloved 1950's children's Christmas album, "Christmas is For Children". Toby Deane is credited on the cover, and this is the only track where it sounds remotely like she might be involved. Curiously, this is a much sought-out track among those of a certain age - repeatedly asked for and posted on blogs, and the album sells for many dollars on eBay.
I say "curiously" because, to be honest, I found the album wholly wretched, and the best things I can say about this track is that it isn't as bad as most of the others, and more than that, that it plays up her strengths as a voice actress - in this case, portraying a boy of about eight, yet another characterization! It's called "I've Got 18 Cents":
Finally, a change of pace. A decade or more after all of these records were made, Toby Deane took part in a sort of "answer record" to the massive hit album "The First Family". This was called "The Other Family", and she appeared on about half the tracks, playing Mrs. Kruschev to Larry Foster's Nikita. While I didn't find this album funny, perhaps you hadda be there, and it's worth hearing her do a version of the original "First Family" album's Jackie, reimagined as a Russian Woman. This is called "Another Saturday Night":
And here is a picture and some text about Toby Deane, from the back of that album:
I sure wish I'd known of Toby Deane and her work earlier. I'd have loved to be able to contact her, as I have with some of the other wonderful singers I've been able to reach via my posts - I'd like nothing more than to tell her home amazing and wonderful I think her work is. Anyone having more knowledge of and/or recordings by Toby Deane is welcome to contact me either by posting to this blog or by writing me at Rasmaster@aol.com or Bobpurse@gmail.com
As a followup to my recent post at WFMU's Blog about "The Three Little Pigs", I thought I'd post more of the obscure (and, to varying degrees, wonderful) 78's and 45's that my mother recorded on a reel to reel tape back in 1964, for posterity.
First up, two absolutely wonderful songs from Al Goodman and his Orchestra. These are not children's records, but they were presented to me in that way in childhood, as both were featured on that tape I just described, a tape which was almost exclusively featured kid's records.
In in both cases here, though, these are hi-fi era remakes (although these records are admittedly no longer "hi-fi") of orchestral favorites from the dawn of recording, songs originally recorded for Victor in the first decade of the 20th Century.
From the opposite end of the 'Wonderful' spectrum, come two sides of a children's 45, which apparently were excerpted from an album titled "Songs About Words", credited to The Sandpipers, Jim Timmons and Orchestra. These are genuinely weird, especially the first one, which is titled "Rattlesnake":
Next up are two songs that were favorites of mine in 1964 (when I was three, then four). The first appeared on the Cricket label - it's a song that I actually used to sing at that age - I have a tape on which I'm singing it, none of which is odd, except that the song is "The Little Dutch Girl". Here's the record:
And here is a series of little poems and songs, some of them quite odd, and another favorite from my childhood, one with no artist credited, titled "More Pussy Cat Rhymes":
Here's a wonderful little record from the early 1950's, if not earlier. I found out recently that it's a vintage "corny" group (a category that included Spike Jones, as well as the Hoosier Hot Shots). In this case, it's The Korn Kobblers, although this performance was credited to someone else once it was reissued on a children's label, which is how I heard it. It's the old song "Polly Wolly Doodle", but I've always been quite taken with just how much is going on during this performance, especially near the end:
Finally, an actually hit group, The Ames Brothers, with a song from the mid 1950's, featuring an extremely clever lyric and great harmony singing, "I Saw Esau". Again, this is not a children's song, but as with the first two songs (above), it was presented to me as such, since it was on our tape of children's records:
I thought I might toot my own horn here a bit, and share a little piece I recorded almost eight years ago. This was the first recording I did for what I'd hoped would be a quickly recorded follow-up to my 1996 collection of songs "The Many Moods of Bob". That collection was simply a cassette given out to friends and whoever else requested a copy. The new recording was to be a full fledged, well produced CD.
While I've been able to record many tracks since then, all of which sound much better than my earlier recordings, due to better equipment, time has been the enemy, and the project still sits unfinished, with about 35-40 minutes worth of material more or less ready, and another ten or twelve minutes of songs which I just don't seem to be able to find the time to complete.
This piece - a combination of nostalgia and my own strange taste in music - remains one of my favorites.
To fully understand, you have to first hear this Little Golden Record, a five inch yellow 78 which has been in my family's collection, and much beloved, for well over 50 years. It's called Barker Bill, and here is that original children's record:
During a visit to my brother's home in 2000, I used his home studio to record my own version of the song. After recreating the open bars of the Little Golden Record, things get revved up into a whole different style. I created the backing track, playing everything on my brother's keyboard (using midi software), and using all the singers in my family, professional and otherwise, to sing the lines from the two bridge sections. I'm the singer for the main part of the song, including the bass voice and most of the massed voices heard at the end.
On the first bridge, you'll hear the voices of my two daughters, ages eight and six at the time, as well as my mother. On the second bridge, you'll hear my sister, my brother and my neice.
Given that I love Caribbean music, and also adore marimbas, it's not surprising that I'm particularly fond of the little instrumental section in the middle of the song.
Hope you enjoy it.
When finished, the album will be titled "A Few More Plans", after a rather strange instrumental piece that I've been playing with for a decade or more. Maybe I'll share that piece, one of these days. In the meantime, if you're of a mind to, let me know what you think of "Barker Bill".
So far, I've offered up records that, however odd they may be, I also find marvelous through and through - musically, emotionally, intangibly, etc.
But now, I've chosen to write (and not for the last time, I'm sure) about a record I love primarily because of its complete and total weirdness. As you can no doubt tell from the above, this is a kids record, one which I can recall being in my possession (or perhaps it was my brother's, first), as far back as I can remember. (As always, it's available at the gmail site, linked to the left, with the instructions at the top of this screen.)
Several records from my childhood collection will no doubt make their way to this forum, and there were plenty of them that I thought were weird (and a few I considered scary), even in early childhood. But this was weirder than most of the others. For one thing, it's FIFTY FOUR SECONDS LONG!!! It's the whole side of the single, and it times out at well under a minute! I can literally see the spaces between the groove as it moves towards the center of the record.
Just as odd is the performance of the song. First, there is the fact that (to me, at least), it sounds like we join the song in progress, almost in mid-breath of the singer, and certainly after some sort of music has already been played.
Then there is the deeply weird lead vocal, the overly peppy chorus, singing in such jolly spirits about being conked on the head (I particularly like the happy way they sing "He's a grouch", which is repeated three times), and the wacky sound effects. Not unheard of in kids records, but the feel of this one is sort of different, and the sudden ending just makes it weirder.
In addition, although the singer is presumably a cartoon character, singing about an occurance which is not uncommon for cartoon characters, I have no clue who he's supposed to be. Most of the kids records I've ever seen, if they are in character, have the name of that cartoon personality on the label, whether it's "Captain Kangaroo and Mr. Green Jeans sing..." or "Popeye Sings....". But this one is by "Don Elliot and the Cartoon Cowboys".
This last point sent me, quite recently, for some answers. There is a famous Don Elliot, who is apparently primarily known as a jazz trumpet player, but who is also listed as a vocal talent in some searches, and was one of the hipsters behind the Chipmunks-meet-Bebop project "The Nutty Squirrels", in late 1959. So I'll assume this is the same guy.
But I still don't know what the hell led to this record, or who it was that listened to it and said something along the lines of, "yup, that's perfect - that'll be GREAT for our next kids' 45"...
I'm the father of two amazing young adults, married to the most wonderful woman in the world, and I work in the mental health field. I play several instruments and record my own music. I'm a long time record collector, hoarder of unusual, rare or unique recorded sound, musical, spoken word or other, and am glad to have found this outlet to share some of my favorite parts of it with others.
