Showing posts with label Male Vocal Groups. Show all posts
Showing posts with label Male Vocal Groups. Show all posts

Tuesday, August 19, 2008

More Children's Records (and Then Some)

As a followup to my recent post at WFMU's Blog about "The Three Little Pigs", I thought I'd post more of the obscure (and, to varying degrees, wonderful) 78's and 45's that my mother recorded on a reel to reel tape back in 1964, for posterity. 

First up, two absolutely wonderful songs from Al Goodman and his Orchestra. These are not children's records, but they were presented to me in that way in childhood, as both were featured on that tape I just described, a tape which was almost exclusively featured kid's records.

In in both cases here, though, these are hi-fi era remakes (although these records are admittedly no longer "hi-fi") of orchestral favorites from the dawn of recording, songs originally recorded for Victor in the first decade of the 20th Century. 

First up is "A Hunt in the Black Forest": 

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 And the flip side is "In a Clock Store": 


From the opposite end of the 'Wonderful' spectrum, come two sides of a children's 45, which apparently were excerpted from an album titled "Songs About Words", credited to The Sandpipers, Jim Timmons and Orchestra. These are genuinely weird, especially the first one, which is titled "Rattlesnake":


The flip side is "Alpha-Beetle": 

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Next up are two songs that were favorites of mine in 1964 (when I was three, then four). The first appeared on the Cricket label - it's a song that I actually used to sing at that age - I have a tape on which I'm singing it, none of which is odd, except that the song is "The Little Dutch Girl". Here's the record: 

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And here is a series of little poems and songs, some of them quite odd, and another favorite from my childhood, one with no artist credited, titled "More Pussy Cat Rhymes": 

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Here's a wonderful little record from the early 1950's, if not earlier. I found out recently that it's a vintage "corny" group (a category that included Spike Jones, as well as the Hoosier Hot Shots). In this case, it's The Korn Kobblers, although this performance was credited to someone else once it was reissued on a children's label, which is how I heard it. It's the old song "Polly Wolly Doodle", but I've always been quite taken with just how much is going on during this performance, especially near the end: 

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Finally, an actually hit group, The Ames Brothers, with a song from the mid 1950's, featuring an extremely clever lyric and great harmony singing, "I Saw Esau". Again, this is not a children's song, but as with the first two songs (above), it was presented to me as such, since it was on our tape of children's records:

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 Special thanks to mom for preserving all of these records while they were still in half-decent condition!

Friday, August 10, 2007

I Won't Always Love a Cake of Ice

Listening to a new 45 aquisition this evening with a friend, I was reminded of a somewhat similar 45 from the same era, a bubbly b-side obscurity from 1954 by the trio of Don, Dick and Jimmy, called "You Can't Have Your Cake and Eat It, Too", on Crown Records. 

There's a lot to like in this goofy little number. The close, perfectly executed harmonies, and the swingin' backing, especially as it really kicks in at the start of the second verse.

But I actually get the biggest kick, as is often the case, out of one of the smallest moments. Each time the three part harmony returns, during a verse, with the word "listen", there is something irresistible about the voice of the guy with the top harmony. He doesn't sound quite like this anywhere else in the song, either in vocal tone or the way he says the words, and it really catches my ear every time. 

Quite a fun little record! 

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Saturday, June 10, 2006

RATE A RECORD!!!!

Today I'm sharing three of my newest 45 rpm acquisitions. All three come from labels associated with the song-poem field, but I suspect that only one, and perhaps two, of the three. are technically song-poem records. 

That one I'm sure is a song-poem, is "Atom Dynomic Dance" by that man about town, Phil Celia. One doesn't come across a twist styled record suggesting a dance based on an atom bomb explosion every day. Not only the words strike me as some amateur's attempt to clever, but the fact that the melody (at least as sung by Mr. Celia) doesn't quite fit the chord changes, tells me that this wasn't designed to be promoted as an actual hit. The Tin Pan Alley label on the record helps, too. And is "Dynomic" even a word? Okay, everybody! "Let's Go Boom and Mushroom, Let's Be an Atom Blast...!" 

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Next up is Barney Spencer and the Vellaires, on the Vellez label. I have only a few records on this label, and each of them is odd in its own unique way. This is just a cute little song, pushed over that line between fun and really fun by the singer's Scandinavian accent. I have a suspicion that this one - "Beginner's Luck" - was a vanity release, but I could be wrong.

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And then there is "Shakespeare Rock", by the Eligibles. Records on the sometimes song-poem related label Fable never cease to amaze me, whether they are song-poems or not. The lyrics of this one strike me as far too knowingly ironic, and it also seems too well arranged, musically, to be a throwaway song-poem. Plus, the flip side was a cover of a minor hit song. I suspect this record was meant as a deliberate joke, and whether I'm right or not, it sure as hell makes me laugh. It's well done, all the way around. I'll let you discover its charms yourselves.

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Comments welcomed and greatly appreiciated!