Hello, everybody, hello!
Before I get started with today's items, I wanted to share that I have again been invited to be part of a podcast. It's the same show - Ephemeral - which has featured elements of my collection four times in the past, and has had me on, as an interviewee, three of those times.
This time around, I am sharing the world of the Star Ads. Those of you who have been with me since the WFMU days, or the 2003 365 days project before that, might remember the Star Ads, but in case you don't know what I'm talking about, I have shared excerpts from them here and here.
The new podcast, which features several more , previously unshared Star Ads, can be heard at:
https://www.ephemeral.show/episode/star-ads
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I would also like to share that, as of this coming Monday, I will again be gainfully employed. Thanks to everyone who chimed in with encouragement and/or condolences regarding the loss of my previous job.
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And now, a Halmark release that I found very interesting!
First, this is one of the comparatively few Halmark discs which names the singer, and what's more, it gets the singer right on both sides. This really is the vocalist most often identified as "Bob Storm" (of those which do feature performers' names, multiple Halmark releases have the wrong singer named on them).
But more to the point, this is, by a significant degree, the shortest Halmark release I've ever come across. Halmark tracks tend to be lengthier than their song-poem compatriots from other labels, usually at or beyond three minutes, and regularly stretching to - and far beyond - four minutes. They often also seem to go on longer than those on other labels, but that's another story.
But the lengths of both tracks on this release add up to less than four minutes and fifteen seconds. The longer of the two - "Goodness Can Still Prevail" - is just 2:09.
"Goodness Can Still Prevail" seems to have been an exercise in rhyming for the song-poet, as he threw in a bunch of words that end in the "Ale" or "Ail". That made me laugh. Bob Storm certainly Bob Storms it up, offering his most unctuous vocal style, to entertain us.
One last note: the absolutely cruddy sound quality that permeates the much of this track is from the record and not from anything I did in turning it into an MP3. That Halmark sold such a poor product, which sounds like it was recorded on damaged recording tape, says a lot about them.
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The flip side, "Fallin' Tears", stands out for me, in that I don't recall ever hearing this backing track before, on a Halmark release. Additionally, it certainly sounds like a track which was created for a specific hit song, as we've discovered to be the case for multiple other Halmark tracks. If there is another Halmark release in circulation this backing track - one I find more pleasant than most of what they used - please remind/inform me of it.
It's also worth noting that the lyrics here are fairly direct, simple but effective, and not at all like many of the overwrought efforts that frequently found their way to Halmark's storefront.
This track lasts just 124 seconds, and I'm having a hard time recalling a shorter Halmark track.
Oh, and see below, after the label scan....
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The song-poet in this case was apparently quite happy with his creation and with Halmark's work with it. As seen below, from the 45 sleeve, he stamped it with his name and address, and in another spot on the sleeve, offered a signed copy to someone named Ethel.
And here's a quick update: please see the comments for a link that my pal Stu offered, to a Google Maps view of that very address.
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And now, it's time for a couple more Cut-Ups. Please see previous posts, going back to the end of January, for an explanation of these tapes, which I made in the early '80's, while in my early 20's. I have two of them today.
First up, a very, very short example, which is more of a "fun with the pause button" example than a true "cut-up". For here we have what I've called "We Will Rock You (Sliced and Diced)", 20 seconds of the first measure of that Queen classic, rearranged radically and somewhat violently. Hopefully, this will make you laugh.
Download: Queen - We Will Rock You (Sliced and Diced)
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And then there is this rearrangement of the opening track from my choice as the greatest album ever made, The Beatles' "Abbey Road". I've indicated, in the track name, that this is a "composite" version of "Come Together", and that's because I cut-up that track twice, in quick succession, way back when, and while neither of them was funny enough to share on its own, they each had some great moments, so I have combined the best of each of them into one single cut-up.
The inserts here rely heavily on excerpts from Monty Python albums, and also - as very many of my cut-ups did - ridiculous things said by Gary Owens on his wonderful show "Soundtrack of the '60's", which was in production at that time.
Oh, and there are two four letter words mixed in here, along with at least one loud expression of another word not often said in polite company.
Download: The Beatles - Come Together (cut-up)
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A question: are people enjoying these? Should I continue to share them?
4 comments:
Thanks for posting. As you say the rhymes in the first track are kinda contrived and after a verse or so he just stopped trying to find new ones. I don't know how Bob Storm sang like that; it seems like it would take extra effort to do what he does. The second song is better. I love that Ted Rosen takes a writing credit on these songs. From what you've said, Bob, it seems that the singers themselves deserve the co-credit because they'd often have to come up with new melodies over the same old backing tracks. Thanks for posting!
Oh, and here's 3403 Overton, Dallas, today: https://www.google.com/maps/place/3403+E+Overton+Rd,+Dallas,+TX+75216/@32.7184242,-96.7696935,3a,75y,325.65h,90t/data=!3m6!1e1!3m4!1s7q3CyJo2XCkH8cFhmpt5yA!2e0!7i16384!8i8192!4m5!3m4!1s0x864e981f9c374fb3:0xd0fa3698a6a453a4!8m2!3d32.7186447!4d-96.7698726
The Dallas property is a 3 bedroom, 1 bath, 1,200 sq. ft. house on 0.4 of an acre, built in 1950 and valued at $189K. Good size lot.
Interestingly (well, I find it interesting!) the lyrics to Fallin' Tears were copyrighted in 1959, but those for Goodness in 1971, which was probably around the same time that the disc was issued. I wonder if there are any earlier versions of James Toney's song out there?
Thank goodness for "Goodness Shall Prevail".
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