Gene Marshall Meets the Big Beatle

Hot off the Preview Label presses came this song-poem tribute to... well, one of the Beatles. Which that might have been is anyone's guess, since the lyrics are so generic as to not give the slightest clue. The title, "Big Beatle" doesn't give much away, either.

Also worth noting is that this record, with its references to hairdos and "yeah yeah yeah's", was recorded and released around the time of "Magical Mystery Tour" and the "Hello Goodbye" single, in the winter of 1967-68. 

Download: Gene Marshall - Big Beatle

Play:  

As a bonus, here's a unique track by Rodd Keith, unique in that it's the only time I know of (or that I can find referred to) that he recorded as "Rodney Rivers". This is clearly a Film City Label production, but instead of coming out on that label, this one is the only one thus far found on the Starlet label. Please enjoy "This Old World":

Download: Rodney Rivers - This Old World

Play:

Three Song-Poems For the Price of One

I've received a few requests to make this a more frequent feature. While I don't think I can post often enough to make that happen, I can try to share more than one at a time, on some occasions. Today, for the second installment of "Song Poem of the Week", I have three prize items from my collection. 

First up is a treat from "The Real Pros", the only artists that I know of to ever appear on the Cinema label. "The Real Pros" were whoever happened to be present, from the Hollywood talentpool (and hack-pool) at a given session. I'm partial to two low-number (ie) early Pros 45's that I own, one an EP, one a single. The single contains one of my top five song-poems, "I'm Having My First Heartbreak", which was at the MP3 page of AS/PMA. The EP features "Teenage Queen", which was on one of the compilations released online some time ago. Here's another track from that EP, featuring the same insane early '70's keyboard, and the same overly "hot" recording of the lead vocal. It's called "Deep Freeze Mama", and yes, it really does end like that, on the EP: 

Download: The Real Pros - Deep Freeze Mama

Play:  

Next up, a Film City special, by Rod Rogers and the Swinging Strings (aka Rodd Keith), the one man band playing and singing about that Ol' Time Religion on "You Better Believe": 

Download: Rod Rogers and the Swinging Strings - You Better Believe

Play:  

Finally, a suggestion from a friend, a Tin Pan Alley number, by Mike Thomas, "It's Spring". There are a lot of things I love about this one, from the constant rhyming of the word "Spring", to the use of the word "Croon", to the way that the solo momentarily morphs into a late '60's rock solo with some out-of-place upbeat drumming providing a kick to the organist, to the way a rockin' bit of solo guitar sneaks in, seemingly from another (better) song, about 80 seconds in. Enjoy: 

Download: Mike Thomas - It's Spring

Play:  

Comments, suggestions and other great thoughts welcome!

Announcing! Song Poem of the Week Project

Happy New Year! In the spirit of starting new things, I'm going to do something here, and I'm hoping I can hold myself to this....

Someone commenting on my recent post to the WFMU blog asked if there were any song-poem sites which are currently active, since the AS/PMA site has been present, but without updates, for several years now. 

In answer to this, and hopefully for the interest of many others, I'm going to try and post at least one song-poem, from my rather large stash of same, per week. 

To start, a record from one of the most obscure of labels, Iris. This label, from the Lee Hudson production machine, was named after songwriter Iris Tipton, who wrote the words for all of the records released on the label, including the extremely memorable "I Spent My Last Three Dollars On an Irish Sweepstakes Ticket", sung by Cara Stewart. 

Cara's unique vocals will be the first thing you hear here, as well, but the lead singer for this tune is Jeff Reynolds, who I'm sure you'll agree does a stellar job on this patriotic number, "In God We Trust". 

I love everything about this one - the snare drums, the back and forth between the Cara backing vocals and the manly men on loan from "The Ballad of the Green Berets", and the rather simplified, glossed over view of both the American War of Independence and the religious views of its leaders, all in less than 90 seconds. 

Stirring. 

Download: Jeff Reynolds - In God We Trust

Play:

My Favorite Christmas Song This Year

After I posted a 78 of "The Three Little Pigs" both to this site and to WFMU's blog, asking who knew the name of the singer, I was quicly able to learn that it was Toby Deane, a specialist in the fields of both children's records and unique vocal performances. I will do an entire multi-song post about her, soon, as she is my 2008 chioce for the greatest singer I'd never heard of before. 

Many thanks to Irwin Chusid, who sent me what appears to be Toby Deane's greatest moment, a Voco records 78 from the late '40's, which is quite unlikely anything else I've ever heard. It's called "Alice in Christmas Wonderland", and it's been in nonstop rotation here in my world, since I first heard it, in late August of this year. 

There is so much I love here, I don't know where to start. The whole arrangement is so beautifully odd, what with the multiple female backing singers, who sound at one moment like they are in a halloween cartoon, and another moment like they belong in the "You're Out of the Woods" scene from "The Wizard of Oz". Then there's the one singer who swoops in with descending broken chords (then echoed by the clarinets) at the 1:30 point. 

Speaking of those clarinets, the sheer business of this track is a wonder to behold. The various sections played by the piano, in particular, just takes my breath away at times. And the double bass adds a lovely feel, too. All that work, for a children's record. I would LOVE to have been at this session. 

Then there's the song. Most songs of this type would wear out their welcome with me by the end of the first minute, but somehow, this one is a joy in that area, too. 

And all of that leaves out the main show, which is the lead vocal. I've not grown the least bit tired of listening to this, over the past four months, primarily because of Toby Deane's stunning and wonderous singing. There are moment, such the second time she sings "Alice", about 25 seconds in, that just give me chills. 

The ability of a singer, who was apparently in her 20's or 30's at this time, to fully and convincingly sing as if she was, oh, about 12, astonishes me. And the little laugh on her voice, as heard at about 1:16, and again at 1:43 - well, I don't think that's something that can be taught. 

I suspect I like this more than anyone who may hear it here on my site, but that's okay. Hopefully, you'll like enough to make my lengthy post worth reading. 

(Addendum, 11/30/21 - having just fixed this post, I thought I'd add that, in the ensuing 12 years, this has become my second favorite Christmas record ever - one of my top 50 favorite tracks ever - and I've obtained a copy, complete with a wonderful picture sleeve (see below). And it still gives me chills.) 

Download: Toby Deane and the Hummingbirds - Alice in Christmas Wonderland

Play:

Fun with Decorations

Since you've probably got your tree decorated by now, perhaps you'd like to hear how someone else's decorating is going. Here's Ben Light and the Surf Club Boys, to tell you about the "Christmas Balls" on the tree of someone very special! 

Download: Ben Light and the Surf Club Boys - Christmas Balls

Play:

The Family Christmas

I guess this song is well known to a lot of people, and I've even seen it listed in a few places as one of the Worst Christmas Songs. Happily, I've not heard the versions of this song that are typically referred to. They are described in terms of this being a novelty song, or a redneck Christmas tribute, or something like that. 

Again, luckily, I never read any of that until I had grown to love this song to death, without any irony needed. This version grabbed me from the first moment, and from that time on, I've loved it as a real slice of life look at one (fairly bemused) woman's Christmas memory. I live fairly far from redneck central, and yet (apart from the parents getting drunk in the first line) I've always been able to picture the video of this recording, in my head, as taking place at my own home. 

The song is "Merry Christmas From the Family", and it's sung here by Jill Sobule, from a long out of print Various Artists Christmas album. She reminds me here of Melanie, a singer whose best work I adore, and she has the same passionate, if slightly overwhelmed and confused tone about her, which fits this wobbly Christmas story well. I am in awe of someone who can sing the verse about the lights blowing out, with the same emotional conviction as Melanie employed on "Candles in the Rain". 

And the arrangement, with accordion, a lead clarinet, and all sorts of acoustic strings and drums, resonates with me and rings in my head throughout the year, not just for the last three weeks. I'm often a fan of music that sounds like it's about to fly off the rails, and at times, that's the case here, especially in terms of the electric guitar which enters the song here and there after a minute or so. Going into the second bridge there is an especially nice moment. 

I guess I have to accept that this was written as silly satire, but it works better as a more nuanced, Randy Newman style number (and comparing someone's work to Randy Newman is about the highest praise I can give - he's the greatest American songwriter of the last 50 years). 

Hope you enjoy it. 

Download: Jill Sobule - Merry Christmas From the Family

Play:  

(Addendum, 11/29/21: This has, in the ensuing years, become my all-time favorite Christmas record, one of my all time top 40 tracks. The singer's bemused, and achingly pleading voice resonates with me more every time I've heard it. The sheer perfection of this track can bring me to tears. 

And I have since heard the "comic" country versions of this - they are uniformly stupid and genuinely awful. It's amazing how different settings can serve to make something either unlistenable or perfect.) 

O Holy Night

There really is no competition, as far as I'm concerned, for the best or most beautiful Christmas song. Far and away, that vote goes to "Silent Night". By the same token, there's no race for second place, either. That one is "O Holy Night", which is well above all the others, apart from the one at # 1. 

Here are two unusual versions of "O Holy Night", both of which I love. First up, The Christmas Jug Band. I've enjoyed several tracks by this group, more often than not, because of the involvement of Dan Hicks, surely one of the greatest singers I've heard. But here, in my favorite of their tracks, it's not Hicks' singing on display. And anyway, in any version of this song, the song itself needs to be the focus, as it surely is here. 

And what a singularly marvelous piece of work this is. Start with this great song, and apply a wonderfully loose, folky arrangement, with altered (but still wholly appropriate) lyrics here and there, sung by a cadre of folks who sound like they might be trying out this arrangement for the first time. It’s just that free and joyful. And then there’s a perfect recorder solo, and when the vocals come back, there are two magical moments on the word “divine”, where the three main singers hit a major triad as if the whole song had been waiting for them to get there. This is on my very short list of the best Christmas records ever made, and one I’ll never get tired of. 

Download: The Christmas Jug Band - O Holy Night

Play:  

In a completely different direction, I offer up Ellis Chadbourne, a singer I was introduced to by my friend Citizen Kafka, a man I have subsequently lost touch with. Also offering up rewritten text, in this case significantly so, to remove all Christian references, Mr. Chadbourne instead is seeking for a Holy Night in which the Bomb has been banned, and peace reigns over the Earth. 

This (and all of Mr. Chadbourne's work) tends to be quite divisive - either you "get it" or you don't. It was a early moment of bonding between me and Citizen Kafka when I focused in on Chadbourne's material as the real heart, the key material within what he had shared with me. 

Yes, some say he can't sing, and/or even that this is painful to listen to. I won't disagree with anyone about taste, and I recognize that there is one howler of a note here. 

But I will disagree (and have, quite forcefully) with those who have said there is nothing to "get" - there is a passion, a life-affirming spirit captured in Ellis Chadbourne's records, particularly this one, which gives me chills. When he gets to "O Night Divine", and seems at the very top of his range, it takes my breath away - and yet then, I realize there is a higher note yet to come - will he make it? When he reaches that note, just at the end, I feel I am hearing a man singing directly to God, and I rarely can hear this track without tearing up.

Download: Ellis Chadbourne - O Holy Night

Play:  

(Addendum, 11/30/21: See the comments, below. Citizen Kafka reached out to me, via the comments, to try and reconnect, and to tell me of an then-upcoming Ellis Chadbourne CD compilation. Sadly, Citizen Kafka died just a few weeks after making that post, and as far as I can tell, that CD compilation was never produced.)

Christmas Music - The Sublime and the Ridiculous

I'm going to try an provide several obscure and (in most cases) wonderful Christmas recordings over the next week or so. First, two tracks that couldn't be more different. We'll start with the sublime, in this case, a performance that doesn't seem like it would work well: A New Orleans styled version of "Silent Night", performed by one of my '50's heroes, Huey "Piano" Smith and his group The Clowns. Even though they repeatedly get one of the chords here wrong, this is still a peerless, exquisite performance, filled with deeply emotional singing, a rollicking beat, and great instrumentation: 

Download: Huey "Piano" Smith and the Clowns - Silent Night

Play:  

On to the ridiculous. All thanks to Dr. Demento for this one, which I'll let speak for itself. Ladies and Gentlemen, "The Chipmunk Song" as performed by The Whales: 

Download: The Whales - The Chipmunk Song

Play:  

More to come!

Uncommonly Pretty

Here's a song discovered by a friend. While on a used record shopping spree with my pal Stu, we poured over some well loved disks at a Salvation Army store. Whichever one of us found the album by "The Sacred Heart Singers" was bound to make it a certain purchase, if for nothing more than the great cover, featuring a bunch of girls and young women, some with guitars and ukes. 

Stu was the lucky one who found it first, and he originally posted his favorite track from the album to his blog. That post is now broken, so I'm reposting it here. 

I'm about as taken with it as I can get, and maybe you will be, too. It's quiet, flowing beauty is something you can just let wade over you. The words may or may not be consistent with your way of thinking. If they are, you may well find this extremely moving from standpoint, as well - I know I did. If the lyrics aren't your thing, I think perhaps you'll still find the sound of this record extremely affecting and moving. 

Download: The Sacred Heart Singers - Once Upon Eternity

Play:

A Gorgeous Little Song

This song was actually featured as part of a post to the 365 Days Project last year, but I fear it got lost as part of a collection of random singles that I posted to that project, all in the same day, and it really deserves to shine on its own. 

Here's a portion of what I wrote at that time about the song, "Jingle Down a Hill" by Gaitley and Fitzgerald:

This one is so good I can still picture where I was the first time I heard it: Almost 20 years ago, I was on my way to a new job, and listening to a cassette tape I had made of a stack of 45's, recorded earlier that day (with one of those record players which would drop the records one at a time). "What the hell was THAT" went through my mind, and I rewound it and listened about five more times. It's actually the B-side of a song which has been included on several psychadelic comps, but that song on the A-side doesn't move me at all.

On the other hand, this B-side... well, it's just one of the loveliest things I've ever heard. The folky arrangement fits the song perfectly, the Everly Brothers harmonies on the bridge get me every time, and the simple piano figure at the end of each chorus has echoed in my head since that first listen in 1990. The cruddy production prevents me from making out every word, but I can get most of them, and they portray a sweet description of tender love for the singer's girl, and time spent together.

"Whistlin' as we walk along, smilin' all the way Singin' with the summer wind, slow and happy days Alone and free, the world to see, Jingle down a hill"

Although I'm sure I have a couple of the words wrong, here and elsewhere in the song, I certainly get a detailed picture of the life the singers are describing, and the imagery is absolutely magical. If anyone wants to have a go at all of the lyrics, and perhaps catch a few I've been unable to make out, by all means do. I've listened to this record hundreds of times over the years, and it never gets old, and always hits me in just the right place.

Download: Gaitley and Fitzgerald - Jingle Down a Hill

Play:

More Children's Records (and Then Some)

As a followup to my recent post at WFMU's Blog about "The Three Little Pigs", I thought I'd post more of the obscure (and, to varying degrees, wonderful) 78's and 45's that my mother recorded on a reel to reel tape back in 1964, for posterity. 

First up, two absolutely wonderful songs from Al Goodman and his Orchestra. These are not children's records, but they were presented to me in that way in childhood, as both were featured on that tape I just described, a tape which was almost exclusively featured kid's records.

In in both cases here, though, these are hi-fi era remakes (although these records are admittedly no longer "hi-fi") of orchestral favorites from the dawn of recording, songs originally recorded for Victor in the first decade of the 20th Century. 

First up is "A Hunt in the Black Forest": 

Download: Al Goodman and His Orchestra - A Hunt in the Black Forest

Play:  

 And the flip side is "In a Clock Store": 

Download: Al Goodman and His Orchestra - In a Clock Store

Play:  

From the opposite end of the 'Wonderful' spectrum, come two sides of a children's 45, which apparently were excerpted from an album titled "Songs About Words", credited to The Sandpipers, Jim Timmons and Orchestra. These are genuinely weird, especially the first one, which is titled "Rattlesnake":

Download: The Sandpipers, Jim Timmons and Orchestra - Rattlesnake

Play:  

The flip side is "Alpha-Beetle": 

Download: The Sandpipers, Jim Timmons and Orchestra - Alpha-Beetle

Play:  

Next up are two songs that were favorites of mine in 1964 (when I was three, then four). The first appeared on the Cricket label - it's a song that I actually used to sing at that age - I have a tape on which I'm singing it, none of which is odd, except that the song is "The Little Dutch Girl". Here's the record: 

Download: Cricketone Chorus - The Little Dutch Girl

Play:  

And here is a series of little poems and songs, some of them quite odd, and another favorite from my childhood, one with no artist credited, titled "More Pussy Cat Rhymes": 

Download: No Artist Named - More Pussy Cat Rhymes

Play:  

Here's a wonderful little record from the early 1950's, if not earlier. I found out recently that it's a vintage "corny" group (a category that included Spike Jones, as well as the Hoosier Hot Shots). In this case, it's The Korn Kobblers, although this performance was credited to someone else once it was reissued on a children's label, which is how I heard it. It's the old song "Polly Wolly Doodle", but I've always been quite taken with just how much is going on during this performance, especially near the end: 

Download: The Korn Kobblers - Polly Wolly Doodle

Play:

Finally, an actually hit group, The Ames Brothers, with a song from the mid 1950's, featuring an extremely clever lyric and great harmony singing, "I Saw Esau". Again, this is not a children's song, but as with the first two songs (above), it was presented to me as such, since it was on our tape of children's records:

Download: The Ames Brothers - I Saw Esau

Play:

 Special thanks to mom for preserving all of these records while they were still in half-decent condition!

John Cleese Sings!

During an interview many years ago, on David Letterman's show, John Cleese told the story of his first work in America, as a chorus singer on Broadway, as I recall. The point of his story was that he cannot sing, and although he managed to get the job anyway, he more or less pretended to be singing throughout the length of the job. 

As a result of having hearing that story, I was quite surprised to hear the following selection, which I've excerpted from an episode of the long running BBC-Radio comedy show, "I'm Sorry I'll Read That Again", which featured Cleese before, throughout and after the run of Monty Python, during its mid-'60's to mid-'70's run. 

On the other hand, I was not surprised at the quality of Cleese's singing or of the opening joke, "Anybody should be singing it but John Cleese". I hope you enjoy Mr. Cleese singing his heart out on "The Ferret Song". 

Download: John Cleese - The Ferret Song

Play: