Thursday, October 31, 2019

An Odd, Grand Record

The ongoing updates to the broken postings will resume next time around.

Today, I have one of the more peculiar records from my collection. Its contents in and of themselves are not unusual, for those familiar with song-poems and with the labels involved, but their appearance on the Grand Recording Co label was, fro me, at the very least.... unexpected.

The AS/PMA shows Grand Recording Co to be a concern related to the much more well known Halmark outfit, and the small Chapel label that seems to have predated Halmark. This seems to be based on two things - one, the address for Grand was in the same metropolis - Quincy, MA, as Halmark, and two, the existence of the single record (an album) which AS/PMA was privy to when the website was a going concern. Presumably, the sound of that Grand Recording Co album was consistent with that of Halmark.

And that's what I thought I was getting. And when I listened to the most song with the most promising title on the EP, "We'll Never Ration Liberty", that's what I got. And that ridiculous Halmark sound continued into the second song of the EP. But then I flipped the record over.... And I heard two songs that were clearly from the great Preview label, including one featuring Rodd Keith that had a smoking backing track.

This provides more of a link than I knew of in the past between Ted Rosen's slimy business in Massachusetts (for I see no way that he wasn't involved, given the address of the "co" and the contents of the record), and the more talented - and somewhat more slick about their shadiness - folks at Preview. But beyond that, I have no insight into exactly what business dealings led to there being two West Coast song-poems on a New England label.

Regardless, it's absolutely an EP worth hearing, or at least (to these ears), three fourths of it is worth hearing. Let's begin, shall we?:


Leading off is the aforementioned "We'll Never Ration Liberty", featuring the voice of the man most often identified as Bob Storm - although there have been enough contradictions about that name and the Halmark voices to leave me scratching my head. And it's a great, ridiculously patriotic lyric paired with my all time favorite Halmark backing track, the one most memorably used for "Lady Off Pedestal at Notre Dame" (although here, it is stripped of the backing chorus, so Halmark clearly had multi-track reels of their recycled classic tracks.

The vocalist seems a bit bored at times - I've never heard him sound more like he's phoning it in. But the cranky lyrics - and the singer's choice to pronounce "Ration" with a long "A" - as well as that bouncy track, and a nice final note, all keep me coming back for more, again and again.

Download: No Artist Named (Bob Storm) - We'll Never Ration Liberty

Next up is the same singer, happily enough singing over my second favorite Halmark track, the one best used on "My Hamburger Baby" (a song I love so much that I recorded a cover version!) In this, case, after a spoken introduction, we get "If I Had One Wish", one of those "we should all love each other" songs, long on platitudes, and completely absent of actual ideas for making things happen, featuring a much more Bob Storm-ish over-the-top performance.

Download: No Artist Named (Bob Storm) - If I Had One Wish


Let's flip the record over, shall we?

As mentioned, the flip side really caught me off guard. Within three seconds, I was thinking "This is a Preview production". And so it is. And I must say, it's not one I'd share if it wasn't part of an overall more interesting EP. Gene Marshall is professional as ever, but the song, lyrics and arrangement of "You're the One" are all deadly dull.

Download: No Artist Named (Gene Marshall) - You're the One

The biggest surprise was yet to come. The last track, "Love Me, Baby, Love Me", clearly features Rodd Keith. The lyrics leave a lot to be desired - and thereby leave the song to be only so-so, despite an effective vocal. But the backing track is great! It's a solid soul mover, featuring some great horns, sounding like something that would have been produced in Memphis in 1966. I'm certain I've never heard this track on a Preview 45, and I wish it had been used with material that lived up to its quality.

Download: No Artist Named (Rodd Keith) - Love Me, Baby, Love Me

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