Recently, I had the chance to listen to virtually every song which made the Billboard Hot 100 chart in 1957. I love that era of music, and came across dozens of tracks I hadn't heard before, and which I either loved immediately or am growing to love. But one of the standouts, for me, was a record which may not cause the same reaction among the majority of listeners.
Perhaps it's old news among other collectors and music obsessives like me, but this record, "That's All I Want From You" by The Silva-Tones, is not quite like anything else I've ever heard. It starts with fairly odd doo-wop vocalizing - "chu-wah-wah", which leads into what sounds like a harmonium. Whatever that instrument is, it dominates the few other instruments on the record, which is bathed in the degree of reverb that Stan Freberg liked to make fun of.
I already had that "deer in the headlights" feeling before the lead singer even started. And when he did, the bizarre quotient went way, way up. Sounding like a demented version of Robin Gibb (several years before the Bee Gees made any records, of course), with inflections and pronunciations that only added to the weirdness, this vocalist had me completely in his power. I find his voice, by turns, deeply moving and then completely ridiculous, and back again.
For the last few weeks, I've barely let a day go by without listening to this record, and saying one version or another of "what the hell"? On the one hand, it seems sort of like a car crash, but on the other hand, there is something about that greatly appeals to me. I've been able to find out almost nothing about this group, and my Joel Whitburn Hot 100 book doesn't say anything about the group either.
Here it is, hope you enjoy it! Anyone with information about this group or this recording is encouraged to offer comment:
Play
3 comments:
AMAZING!
Hi, Bob,
Bob Silva and The Silva-Tones were from Ayer. MA, a little town in the north central section of the state. The record originally came out on Monarch, from NJ, and was picked up by Argo (later Cadet), where it actually became a significant hit. The A side was a remake of a middle-road hit of the time, but the flip, "Roses Are Blooming," is a Silva original, a demented rockabilly romp that sounds like Buddy Holly on serious drugs!
YouTube has 'Roses' posted another track, "Weepin' and Wailin'."
Happy listening!
Country Paul
Bob, been trying to get ahold of you.
Please shoot me an email at kerrybloedorn@yahoo.com
Hope to hear from you soon! Thanks .:)
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